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    <title>Entertainment — The California Magazine</title>
    <link>https://thecaliforniamagazine.com/</link>
    <description>California business, technology, real estate, and culture — reporting on the people building the state&apos;s economy.</description>
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    <copyright>© 2026 The California Magazine</copyright>
    <lastBuildDate>Fri, 04 Sep 2026 08:17:36 GMT</lastBuildDate>
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      <title>How California treats non-competes and NDAs</title>
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      <pubDate>Sat, 29 Aug 2026 21:18:34 GMT</pubDate>
      <description>Non-competes are void here, with narrow exceptions, and employers must notify employees who signed them. NDAs survive but are limited.</description>
      <dc:creator>Joel Ibarra</dc:creator>
      <category>Entertainment</category>
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      <title>How film production incentives compare across states</title>
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      <pubDate>Sat, 29 Aug 2026 21:18:34 GMT</pubDate>
      <description>Nearly every state offers something. The differences in structure matter more than the headline percentage.</description>
      <dc:creator>Joel Ibarra</dc:creator>
      <category>Entertainment</category>
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      <title>How music rights clearance works for film and television</title>
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      <pubDate>Sat, 29 Aug 2026 21:18:34 GMT</pubDate>
      <description>Two separate rights in every recording, held by different people. Clearing one and not the other is the classic expensive mistake.</description>
      <dc:creator>Joel Ibarra</dc:creator>
      <category>Entertainment</category>
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      <title>How residuals work in film and television</title>
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      <pubDate>Sat, 29 Aug 2026 21:18:34 GMT</pubDate>
      <description>Payments for reuse, set by union agreements. Streaming forced a rewrite because the old formulas assumed distribution the industry stopped using.</description>
      <dc:creator>Joel Ibarra</dc:creator>
      <category>Entertainment</category>
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      <title>How California&apos;s film and television tax credit actually works</title>
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      <pubDate>Wed, 26 Aug 2026 17:25:18 GMT</pubDate>
      <description>The credit is not a subsidy for making films in California. It is a competitive bid against other states, with rules designed around the jobs it wants to keep.</description>
      <dc:creator>Joel Ibarra</dc:creator>
      <category>Entertainment</category>
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